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Metal Hammer declared melodeath masterpiece Colony (1999) \"an undisputed fireball of an album.\"Clayman (2000) introduced synths and more prominent clean vocals, without sacrificing the band's intensity. Reroute to Remain (2002) took the groove element further. Soundtrack to Your Escape (2004) expanded the rock bombast. Come Clarity (2006) is a perfect metalcore slab. A Sense of Purpose (2008) delivered some of the band's best and most eclectic songs. The gothic groove metal of Sounds of a Playground Fading (2011) paved the way for the unapologetic Active Rock hooks of Siren Charms (2014) and Battles (2016). Fans of the aggressive side of In Flames praised I, the Mask (2019). Foregone masterfully, if improbably, manages to serve all sides of the In Flames fanbase, with powerful force.A sense of pride, accomplishment, and continued vitality are evident every time the band takes the stage, and all over Foregone. 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Explaining the album’s title and the lyrics, however, it’s clear that they remain masters of their art when it comes to delivering on such things. “The album title is taken from the belief in rising to the better place, in fiction from Earth to heaven, and all the requirements that go with that,” he elaborates. “In real life, people are often striving to get to a better place from birth, trying to be a better person, regardless of the fact that the only reward is death. “The lyrics deal with everything that life throws at us,” he continues. “It's never predictable, and within that it can also be terrifying. How people deal with death, the crutches they turn to, and how the mental state is affected by life changing situations is always intriguing.” As is the music itself. Album opener Serpent on The Cross begins with a gloriously doomy riff, before halfway through shifting gears into thundering classic metal, powered by double bass drumming and an almost Metallica-ish riff. 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Explaining the album’s title and the lyrics, however, it’s clear that they remain masters of their art when it comes to delivering on such things. “The album title is taken from the belief in rising to the better place, in fiction from Earth to heaven, and all the requirements that go with that,” he elaborates. “In real life, people are often striving to get to a better place from birth, trying to be a better person, regardless of the fact that the only reward is death. “The lyrics deal with everything that life throws at us,” he continues. “It's never predictable, and within that it can also be terrifying. How people deal with death, the crutches they turn to, and how the mental state is affected by life changing situations is always intriguing.” As is the music itself. Album opener Serpent on The Cross begins with a gloriously doomy riff, before halfway through shifting gears into thundering classic metal, powered by double bass drumming and an almost Metallica-ish riff. 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