{"product_id":"seventh-tree","title":"Seventh Tree","description":"\u003cdiv\u003e \u003ch3\u003e \u003cspan\u003eAmazon.com\u003c\/span\u003e \u003c\/h3\u003e \u003cp\u003e \u003cspan\u003eSeventh Tree\u003c\/span\u003e\u003cspan\u003e unveils an Alison Goldfrapp quite different to the one we saw on her career highpoint to date, 2005's \u003c\/span\u003e\u003cspan\u003eSupernature\u003c\/span\u003e\u003cspan\u003e. Whereas that album was grandiose, glammy, and almost aggressive in its brash, thrusting sexuality, Goldfrapp's fourth album is no less sensual, but rather more subtle in its approach. Recorded with longtime collaborator Will Gregory out in rural Somerset, \u003c\/span\u003e\u003cspan\u003eSeventh Tree\u003c\/span\u003e\u003cspan\u003e feels like an attempt to fuse the pagan folk of cult English horror classic \u003c\/span\u003e\u003cspan\u003eThe Wicker Man\u003c\/span\u003e\u003cspan\u003eSeventh Tree goes where earlier Gainsbourg disciples such as Air have gone before: chilled-out, soporific electronica with a light organic edge. Luckily, Goldfrapp remains a compelling enough figure to keep matters on the right side of ethereal: the gorgeous \"Clowns\" imagines the Cocteau Twins' Liz Fraser guesting on some long-forgotten Nick Drake out-take, rustic folk with an all-but-indecipherable vocal and an undercurrent of desolation, while \"A\u0026amp;E\" shows Goldfrapp's pop urge has not deserted her, uplifting electronica with a warm, bucolic twist. \u003c\/span\u003e\u003cspan\u003e--Louis Pattison\u003c\/span\u003e \u003c\/p\u003e \u003c\/div\u003e","brand":"Books Prime","offers":[{"title":"Audio Cd, February 26, 2008","offer_id":45913452019903,"sku":"b700cae5-e232-4492-bca2-1f3ead940420","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0761\/7550\/7647\/files\/2437ee2b6ba73a59e02a988ddc82945e.jpg?v=1785047449","url":"https:\/\/books-prime.com\/products\/seventh-tree","provider":"Books Prime","version":"1.0","type":"link"}