Critical Race Theory and Copyright in American Dance: Whiteness as Status Property

Critical Race Theory and Copyright in American Dance: Whiteness as Status Property

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Critical Race Theory and Copyright in American Dance: Whiteness as Status Property
  • Critical Race Theory and Copyright in American Dance: Whiteness as Status Property
  • Critical Race Theory and Copyright in American Dance: Whiteness as Status Property
Critical Race Theory and Copyright in American Dance: Whiteness as Status Property

Critical Race Theory and Copyright in American Dance: Whiteness as Status Property

Caroline Joan S. Picart
Hardcover
Law, Media The Law
$102.99 $123.99
The effort to win federal protection for dance in the United States was a racialized and gendered contest. Picart traces the evolution of choreographic works from being federally non-copyrightable to becoming a category potentially copyrightable under the 1976 Copyright Act, specifically examining Loíe Fuller, George Balanchine, and Martha Graham.

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