NOIR CITY Magazine 45
Sale price
$21.99
Regular price $26.99
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NOIR CITY, the acclaimed magazine of the Film Noir Foundation, now available in print!
Issue #45 focuses on the creative process behind some of the most notable noir stories ever told. Sloan De Forest examines the long and fascinating history behind female writers who penned pulp stories under fake names, including Lucy Malleson and Mary Holland.
Also in this issue:
Eddie Muller examines the stealth film noir lurking inside the holiday classic It’s a Wonderful Life; Mary Mallory takes a closer look at the life and career of art director Martin Obzina; Westley Felton tackles the complicated legacy of the Anglo-Asian noir films made by Samuel Fuller; Danilo Castro makes a case for 1975 as the year the noir sequel was codified; Nick Rossi shines a light on the innovative short film Jammin’ the Blues; Paul A.J. Lewis makes a case for the underseen neo-noir Trouble Bound; and Ben Terrall combs through the stylistic and narrative elements that separate High and Low from its literary source material. Plus film reviews, a themed crossword puzzle, and more.
NOIR CITY Magazine 45
Sale price
$21.99
Regular price $26.99
NOIR CITY, the acclaimed magazine of the Film Noir Foundation, now available in print!
Issue #45 focuses on the creative process behind some of the most notable noir stories ever told. Sloan De Forest examines the long and fascinating history behind female writers who penned pulp stories under fake names, including Lucy Malleson and Mary Holland.
Also in this issue:
Eddie Muller examines the stealth film noir lurking inside the holiday classic It’s a Wonderful Life; Mary Mallory takes a closer look at the life and career of art director Martin Obzina; Westley Felton tackles the complicated legacy of the Anglo-Asian noir films made by Samuel Fuller; Danilo Castro makes a case for 1975 as the year the noir sequel was codified; Nick Rossi shines a light on the innovative short film Jammin’ the Blues; Paul A.J. Lewis makes a case for the underseen neo-noir Trouble Bound; and Ben Terrall combs through the stylistic and narrative elements that separate High and Low from its literary source material. Plus film reviews, a themed crossword puzzle, and more.